'Midnight Limited' is a train of mystery

Midnight Limited (1940)
Starring: Marjorie Reyolds, John King, and George Cleveland
Director: Howard Bretherton
Rating: Three of Ten Stars

A "phantom bandit" is robbing passengers on the overnight night train from Albany to Montreal and then vanishing without a trace. Rail company detective (King) teams with the only person to get a look at the bandit's face (Reynolds) in hopes of bringing him to justice.


Poor John King. The man did have some talent for acting, but it seems like he always was cast against female co-stars who are so energetic they overwhelm him and make him look like a bump on a log when they share scenes. Such was the case in "Half a Sinner" and it happens to him again in "Midnight Limited". King isn't exactly bad, but he can't hold his own against the strong screen presence and powerful personality of Marjorie Reynolds.

King's drab personality stands out even more, because this is a badly done, boring movie. From the sets, to the sound effects (the Midnight Limited must be a marvel in train technology... never before has the world known such a quiet, stable train! All the cars must be mounted on Serta matresses!), to the poorly written dialogue and uneven pacing of the script, there really is nothing here that's done well. Except perhaps the running time. At just over an hour, "Midnight Limited" is dull but not tortorous to sit through.

Only the presense of the always delightful Reynolds and the mysterious drunk played with great flair by George Cleveland make this film watchable.

A shining Angel is the focus for 'Half a Sinner'

Half a Sinner (1940)
Starring: Heather Angel, John King, Constance Collier, and Robert Elliot
Director: Al Christie
Rating: Seven of Ten Stars

When Anne (Angel) comes to fear fear that she is growing old without ever having experienced any excitement, she decides to throw caution to the wind, buys a new outfit, and heads out for a day on the town during which she intends to enjoy herself and live life to its fullest. By the time her wild day is over, she's being chased by gangsters, a frustrated highway patrolman (Elliot), and has struck up a friendship with a rogueish stranger (King)... all while driving a stolen car with a dead body and incriminating evidence that everyone's looking for in the back seat.


"Half a Sinner" is a breezy comedy/thriller with romantic overtones that's more lighthearted than thrilling, despite the deadly gangsters and the corpse in the backseat. The beautiful Heather Angel, who excelled at playing adventuresome women, shines more brightly here than ever before... and in a couple of scenes almost too much so. In some scenes, Angel almost seems to be ovveracting.

However, it's not Angel that's the problem--she's as good in this film as any others I've seen her in, particularly since she's got a well-crafted script and excellent dialog to work with. No, the problem is the fact that her co-star King didn't have the screen presense to hold his own against her. King is certainly handsome, but his acting skills and personal charisma are miserably pale when set side-by-by side with Angel, who really needs to co-star with someone of the calibre of John Howard or Ray Milland (both of whom she appeared with in the "Bulldog Drummond" series).

Still, the script is fast-paced enough and well-written enough that the weak point that is King's acting abilities is more than made up for. The appearance of the overbearing Madame Beckenridge (Collier) late in the picture also helps, as we finally get to see Angel playing off against someone with more screen presence.

If you enjoy well-done, classic comedies, I think you'll enjoy "Half a Sinner". It's one of the best romps where the girl stays in the front seat of the car ever put on film.